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									<p style="text-align:center;text-wrap: wrap;"><strong>01 诗人简介：半僧半俗的诗人</strong></p>
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								贾岛（779-843年8月27日），唐代诗人，字阆仙，河北涿州人，出生于贫苦农户家庭，因家中贫困、难以饱腹，遂出家皈依佛门，法号无本，自号“碣石山人”。他是大唐的隐者，也是人们口中的那位“苦吟诗人”，他返俗只为走上科考之路、实现人生抱负，奈何一生未中，最终病逝任上……
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								韩愈曾言，贾岛为孟郊之再现，并题诗曰“天恐文章中道绝，再生贾岛在人间”。但贾岛所扮演的是一个大唐失意人的角色，在阳光风雨中秉持初心、捡拾文字，记录下王朝的碎片。</p>
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											<p style="text-align:center;text-wrap: wrap;"><strong><span
														style="font-size: 18px;">02 初遇伯乐：那个关于“推敲”的故事</span></strong></p>
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								早年出家，相交韩愈——贾岛早年因家中贫困选择了皈依佛门，但他并不甘心每日相伴青灯古佛，他对那段经历的描述是：“不如牛与羊，犹得日暮归”，他更感兴趣的是读诗和写诗。</p>
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								唐宪宗元和年间的一天，贾岛骑上了那匹形影不离的瘦驴，去探望隐居的老朋友李凝。贾岛感慨于李凝居所旁池边枯树、鸦雀已栖、月下荒园、万籁俱寂的景象，便即兴写下了那首五律——</p>
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						<p style="text-align:center;text-wrap: wrap;"><strong><span
									style="font-size: 15px;color: #707579;">《题李凝幽居》</span></strong></p>
						<p style="text-align:center;text-wrap: wrap;"><strong><span
									style="font-size: 15px;color: #707579;">闲居少邻并，草径入荒园。</span></strong></p>
						<p style="text-align:center;text-wrap: wrap;"><strong><span
									style="font-size: 15px;color: #707579;">鸟宿池边树，僧敲月下门。</span></strong></p>
						<p style="text-align:center;text-wrap: wrap;"><strong><span
									style="font-size: 15px;color: #707579;">过桥分野色，移石动云根。</span></strong></p>
						<p style="text-align:center;text-wrap: wrap;"><strong><span
									style="font-size: 15px;color: #707579;">暂去还来此，幽期不负言。</span></strong></p>
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								style="font-size: 15px;color: #765F49;">回到家中，贾岛久久不能入寐，纠结第四句用“敲”还是“推”更能展现出当时的意境。第二天贾岛上街时仍然沉浸在“推”“敲”二字的苦思中，以至于忽略了前方路上的仪仗，无心冲撞了京兆尹韩愈。但当贾岛向其禀明缘由后，韩愈并没有责备他，反而对他这种“苦吟”精神大加赞赏，与他共同探讨“推”“敲”的用法。由此，贾岛与韩愈结为挚友。</span>
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									<p style="text-align:center;text-wrap: wrap;"><strong>03 人生转折：落日斜阳下的凄惶无措</strong>
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									style="font-size: 15px;color: #765F49;">还俗应举，贬谪入蜀——公元812年，贾岛在韩愈的鼓励下于长安还俗参加科举考试，然而，他并没有踏上入仕坦途，反而久试不第，困守科场多年，后又因其诗作触怒了当权者而遭贬谪。</span>
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							<p style="text-align:center;text-wrap: wrap;"><strong><span
										style="font-size: 15px;color: #707579;">《病蝉》</span></strong></p>
							<p style="text-align:center;text-wrap: wrap;"><strong><span
										style="font-size: 15px;color: #707579;">病蝉飞不得，向我掌中行。</span></strong></p>
							<p style="text-align:center;text-wrap: wrap;"><strong><span
										style="font-size: 15px;color: #707579;">拆翼犹能薄，酸吟尚极清。</span></strong></p>
							<p style="text-align:center;text-wrap: wrap;"><strong><span
										style="font-size: 15px;color: #707579;">露华凝在腹，尘点误侵睛。</span></strong></p>
							<p style="text-align:center;text-wrap: wrap;"><strong><span
										style="font-size: 15px;color: #707579;">黄雀并鸢鸟，俱怀害尔情。</span></strong></p>
							<p style="text-indent: 2.1429em;text-wrap: wrap;"><span
									style="font-size: 15px;color: #765F49;">在著名的《病蝉》一诗中，诗人以病蝉自喻，欲飞不得的处境有如自己多年奔波却仕途无望，也正因这首诗，当权者借口其讽刺公卿，将他与另外九个举子列为“举场十恶”，贾岛多年以来所追求的入仕生涯由此化为泡影。</span>
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											<p style="text-align:center;text-wrap: wrap;"><strong>04
													剑客精神：十年磨一剑，霜刃未曾试</strong></p>
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						<p style="text-indent: 2.125em;text-wrap: wrap;"><span
								style="font-size: 15px;color: #765F49;">笔耕不辍，病逝任上——开成二年（837年），贾岛责受长江县主簿，故被后世称为“贾长江”。840年，贾岛长江县主簿任期满，再次迁任普州司仓参军。贾岛的一生仕途坎坷、怀才不遇，但他没有放弃对诗词创作的热爱，他将作诗融入自己的生命，对每一篇作品都精雕细琢，他曾为了两句诗苦吟三年，最终留下千古名句——两句三年得，一吟双泪流。知音如不赏，归卧故山秋。</span>
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						<p style="text-indent: 2.125em;text-wrap: wrap;"><span
								style="font-size: 15px;color: #765F49;">可惜贾岛在世时始终没有功成名就，最终在843年于普州官舍去世。但他的诗在后世为时人所接受、认可，尤以晚唐至南宋时期地位极高。贾岛凭借着自己对诗歌虔诚的信仰、对创作极致的追求、对艺术忘我的投入影响了后世几十代诗人的创作，他的剑客精神和“苦吟”形象也令无数人所钦佩。</span>
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						<p style="text-align:center;text-wrap: wrap;"><strong><span
									style="font-size: 15px;color: #707579;">《剑客》</span></strong></p>
						<p style="text-align:center;text-wrap: wrap;"><strong><span
									style="font-size: 15px;color: #707579;">十年磨一剑，霜刃未曾试。</span></strong></p>
						<p style="text-align:center;text-wrap: wrap;"><strong><span
									style="font-size: 15px;color: #707579;">今日把示君，谁有不平事？</span></strong></p>
						<p style="text-indent: 2.125em;text-wrap: wrap;"><span
								style="font-size: 15px;color: #765F49;">《诗》云：“靡不有初，鲜克有终”，贾岛终其一生都在奔赴心之所向，而“剑客”更是诗人的自我写照，剑客手中的剑，正是诗人手中的笔，贾岛用它划破官场中的昏暗阴翳，试图敲开通向盛世的大门。也许剑客精神的核心就在于“不欺其志”，纵前路是孤僻与苦寒，也要义无反顾，只为惊醒少数人……</span>
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